![]() ![]() Synchronicity also endures for the way it stands apart from other 1980s modern rock albums. Yet what makes the record still resonate after four decades is its dense sonic layers and the trio’s musical experimentation that influenced future artists and recordings. Lyrically, Synchronicity is a final document, even a legacy, made amid creative conflicts and tumultuous times. This is best illustrated in "King of Pain," the final single released from the album, where the imagery of "a little black spot on the sun today" captures Sting’s temporal malaise but remains resonant. Betrayal and suffering hang heavy throughout Synchronicity. After a world tour throughout 1984 to promote Synchronicity, Sting officially left the band.Īdding to the growing tension, both lead vocalist Sting and guitarist Andy Summers ' marriages were collapsing during this period. But, due to infighting, their domination did not last long. This success vaulted the trio to "biggest band in the world" status. At the 26th GRAMMY awards, Synchronicity received five nominations and took home three golden gramophones: Best Rock Performance by a Group or Duo with Vocal for "Synchronicity II" Best Pop Performance by a Duo or Group with Vocal for "Every Breath You Take" Sting also took home a GRAMMY for Song of the Year for composing this megahit. ![]() Billboard 200 charts and spent 17 nonconsecutive weeks in the top spot - selling more than eight million copies in the U.S. Released on June 17, 1983, Synchronicity became the band’s biggest commercial success. Despite these conflicts and the unraveling of the band in real-time, the resulting record was well-received by critics and the public. Even after you pull it out, it always returns to remind you that the struggle is real. This underlying tension shapes the mood of Synchronicity, and its songs are like a weed in your garden. While recording "Every Breath You Take," Sting and drummer Stewart Copeland came to fisticuffs. By the time the band arrived on Montserrat, frontman and chief songwriter Sting had outgrown the Police in stature the trio had also taken a sabbatical to pursue solo projects following the release of 1981's Ghost in the Machine. This Caribbean retreat proved to be a reflective, if not fortuitous setting - while the volcano was inactive during their sessions, there certainly were a lot of eruptions and hot heads between members. ![]() The British rock trio's fifth album took its title from a word coined by Swiss psychiatrist Carl Jung, who speculated that paranormal events had a basis in physical nature its themes nodded to Arthur Koestler’s 1972 book The Roots of Confidence. This six-week sojourn was bittersweet for the Police, whose days and nights spent holed up in George Martin’s AIR Studios resulted in Synchronicity. Flash back to December 1982: A band on the brink of breakup arrives on the volcanic island of Montserrat for six weeks to record what would become their final album. ![]()
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